![]() However, Cedar’s strength comes from its wide tonal pallet and strong overtones that are brought to life by fingerpicking. Western Red Cedar: A tonewood seemingly destined for fingerpicking and classical players, Cedar is a common staple on classical guitars from the beginner to professional level! Considerably softer as a tonewood than Spruce, Cedar is much more reserved in its projection by comparison. This process results in a superior quality of Spruce which contracts tighter during drying, has a lower carbon footprint, and requires no toxic wood preservatives!. By harvesting the wood at a time where the sap of the tree is at its lowest, it’s protected by insects and fungus, thus increasing its durability. Moon Spruce: “Moon” Spruce refers to the lunar phase in which the wood is harvested, as the rising and falling of sap is affected by the moon (just like the tides!). Able to have rich highs as well as calm lows with a soft touch, European Spruce has an incredible versatility that brings out the best in flatpicking, fingerpicking, and classical players alike! ![]() A very stiff-yet-light wood, Sitka Spruce has the dynamic range to project heavy strums and folk fingerpicking with strong fundamentals.Įngelmann Spruce: As well as being a little lighter in colour that Sitka, Engelmann Spruce is a lighter and less stiff type of Spruce.This leads to a slightly richer midrange and more overtones than Sitka, making this a fantastic choice for classical and fingerpicking players!Įuropean Spruce: This Spruce is an amazing combination of power and warmth. Sitka Spruce: One of the most common tonewoods there is, Sitka Spruce is a consistently-available and well-rounded wood for soundboards. ![]() Spruce: Easily recognizable by its light colour, Spruce is a go-to for classical players looking to add projection and brightness to their sound, and is essentially the standard for steel-stringed players! The tightness of the wood causes increased resonance of whatever sound you transfer into the guitar, which means you can really fill the room with the sound of many different styles of playing! Spruce also comes in a few different varieties, each with their own little intricacies. One final thing to note: while tonewood choiceå can give a great indication of what they will sound like, every single instrument is different! The best way to get a full sense of what a guitar or uke sounds like is to drop by your local music store and hear each individual one for yourself. ![]() The body wood expands upon that original tone, filling out the sound with tonal characteristics unique to each tonewood! The top piece of wood on a guitar is the first point of contact for the vibrations coming from your strings, so it has the biggest overall effect on the instrument’s tone. The list is handily split up into “Top Woods” (tonewoods exclusively used for the top, or “soundboard”, of a guitar/ukulele) and “Body Woods” (tonewoods most often used on the back/sides of the instrument), and includes a brief description of the overall sound that each individual tonewood brings to the instrument. When shopping for instruments (whether online or at your local music store!), you’re going to see a lot of mentions of woods like mahogany, rosewood, spruce, maple, ebony, and so many more! The variety of tonewoods used in crafting these instruments is enough to make your head spin, but that’s where we come in!īelow, you can find a comprehensive list of tonewoods utilized in instrument creation. Everyone knows that guitars and ukuleles are made out of wood, but not as widely known are how different types of wood can affect an instrument’s sound.
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